La trasfigurazione del banale 5 likes. Book. : La trasfigurazione del banale. Una filosofia dell’arte ( ) and a great selection of similar New, Used and Collectible Books. La trasfigurazione del banale. Una filosofia dell’arte: Arthur C. Danto, S. Velotti: : Books.

Author: Taugor Mora
Country: Vietnam
Language: English (Spanish)
Genre: Sex
Published (Last): 16 December 2004
Pages: 64
PDF File Size: 12.89 Mb
ePub File Size: 20.71 Mb
ISBN: 497-7-54516-737-3
Downloads: 16518
Price: Free* [*Free Regsitration Required]
Uploader: Mikasho

We see this today in televising baseball games — the camera of necessity is at a distance requiring telescopy, which puts the pitcher and the batter on top of one another.

That led to a search for the necessary conditions for acthood, or arthood, or whatever. They were like slaves.

Oh no, there’s been an error

It can’t be material. Anyone who wants to put the work into learning the language of art shares in its power. At least the definition of art looks like it may be settled, even if trasfiguraziond else is forever up for grabs. I deeply believed that all philosophical questions had to be answered at the same time, and in the same kind of way.

Danto is asking an interesting question in Transfiguration of the Commonplace: But I was the only one interested in it who was also interested in the ontological dimension of the philosophy of history, of knowledge dell action, of rel, and drl religion at the same time, and where anything not bearing on this was of interest to be sure, but not of great interest ontologically speaking. In America there was Abstract Expressionism. The difference between a representation and an artistic representation is that the latter is artistically intended, meaning, the artist, with his knowledge of the artworld and art history, intends to make a work of art.

Presentazione Presentazione della rivista Comitato e direzione Procedure di selezione dei testi Norme editoriali Call for papers Informazioni Contatti Crediti Publishing policies. This illusion was conceived of more or less as a stage animated by visual incident, and the surface of the picture as the window through which one looked at the stage. However, what I found most valuable were the examples Danto provides in his unique, creative yet extremely logical and well-founded manner.


Danto has been criticized for his belief in duality, underlined by the Christian or Catholic figure of transfiguration, and reiterated throughout the book in his references to the body and the soul. Testo integrale PDF k Invia tramite e-mail. But, as I have already noted, some deep change had begun in the art world with Pop, Minimalism, and Conceptual art. Sommario – Documento precedente – Documento successivo.

They are not the faces we know, if we know the subject, and certainly not how the subject knows himself, composing his or her face for the mirror.

The Transfiguration of the Commonplace: A Philosophy of Art

But Manet began to pull the backdrop of the stage forward, and those who came after him […] kept pulling it forward, until today it has come smack up against the window, blocking it up and hiding the stage. And everywhere the institutions are changing to meet the new demands. It does not depend on talents or any other gift but the ability to learn.

Dan McKeaney rated it really liked it Jul 09, Accesso abbonati Collegati Annulla.

African Americans were claiming their civil rights. Danto argues lw recent developments in the art world, in particular the production of works trasfigurazine art that cannot be told from ordinary things, make urgent the need for a new theory of art and make plain the factors such a theory can and cannot involve. When I was invited to deliver the Andrew W. Each of these made possible works that were, to say the least, philosophically puzzling.

The Transfiguration of the Commonplace: A Philosophy of Art by Arthur C. Danto

He is an American art critic and professor of philosophy. Wow, this shows just how long ago I’ve looked at this site. Hence it had to be the paradigm of visual truth. In the course of constructing such a theory, he seeks to demonstrate the relationship between philosophy and art, as well as the connections that hold between art and social ttrasfigurazione and art history.


Dalla transavanguardia al meridionalismo [Testo integrale]. In truth, it began to seem that anything could be a work of art, as long as some theory could be invoked under which its status as art were explained, so that one could not tell by looking at something, whether it was a work of art or not. My copy is now peppered with post-it flags. Jul 20, Dec Lloyd rated it liked it. To see what your friends thought of this book, please sign up.

Thanks for telling us about the problem. Danto’s art object is one that can transcend its production, its course determined by its reception, and we, it readers, listeners, receivers, responsible for what that means. Aug 04, Lynn marked it as to-read Shelves: They would say yes — an artwork has and embodies a meaning — but really there are properties tradfigurazione more interesting to discuss than those.

Danto spends his time here with the question of what sets an ordinary object apart from what we generally describe as art.

It slowly occurred to me that Manet was seeking to show the event the way it would look if it had been photographed — it was, after all, news.

What remains over when you subtract from the fact that something is an art object the fact that it is an object?

Criticism then, which consists in interpreting metaphor in this extended sense, cannot be intended as a substitute for the work. The only thing that really didn’t like is that the book is so dedicated to clarify the details of the relation between knowledge and art, that it forgets to include the aesthetic part of it.