Here are some of the most frequently asked questions about the Lydian Chromatic Concept. This page can be read either as one continuous article from . What is the best scale to play over a CMaj7? Most people would say the C Major Scale, but George Russell’s Lydian Chromatic Concept says otherwise. I’ve recently found out about George Russell’s book the Lydian Chromatic Concept of Tonal Organization and I’ve been curious about exactly.

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When seven ascending consecutive fifths i. Its purpose is to provide a road map of the musical universe that tells you where all the roads are, but does not tell you which roads to take. Are there any historical and acoustical foundations underlying the Concept? I’m going to give a very cursory simplification for the answer because asking about Lydian Chromatic theory is just like asking about Set Theory or Serialism.

Cited in Bruno Nettl, Melinda Russell; eds. Thus the Lydian Chromatic Scale and all its derivatives contain only Pythagorean intervals. So if a Perfect 5th is the strongest non-root interval, we can build up a harmonically strong scale using intervals of Perfect 5ths. Artists most often describe the process of creativity in transparent and intangible terms.

Lydian Chromatic Concept

Russell’s theory has had far reaching effect especially in the realm of modal jazz. I want to cjromatic back because everywhere you’ll want to be, George Russell’s music will be heard. Are there any connections drawn in The Concept between music and psychology? Email Required, but never shown. Through the Concept the law of gravity is apparent.

What is a Lydian Chromatic Scale? The publishers seem to be very keen on protecting their intellectual property – as is their right of course – I think the only way to find out is to buy the book. Lydian Chromatic Concept So if a Perfect 5th is the strongest non-root interval, we can build up a harmonically strong scale using intervals of Perfect 5ths.


There are currently a small number of instructors in the United States, Europe and Japan who are formally certified by George Russell to teach the Concept.

Starting on the C that gives us: Art Farmer said that chro,atic “opens the door to countless means of melodic expression” [6] and critic Joachim-Ernst Berendt described it as “the first work deriving a theory of jazz harmony from the immanent laws of jazz” and as “the pathbreaker for Miles Davis ‘ and John Coltrane ‘s ‘modality'”.

What would be the most natural scale to play over a CMaj7? Lydixn and Maurice Ravel are included in the current volume to reinforce the all-inclusive nature of tonal gravity. By seeking what music ITSELF is telling us about its own elemental structure, The Concept supplies the necessary means to conceive that a gravitation field of tones exists as a self-organized order of unity.

Lydian Chromatic Concept – The Jazz Piano Site

The recently published edition of the Concept goes into comcept depth and discussion concerning the historical and acoustical foundations underlying the Concept. Is the current revised edition dramatically different from the previous editions?

The Take Away Lydian Scale is more closely aligned to the natural, universal properties of sound than the conventional major scale. In other words, the fifth is considered to be the “foundation” or “cornerstone” interval.

Post as a guest Name. Many people outside of music are drawn to The Concept due to its objective view of tonal gravity. Views Read Edit View history.

It even extends beyond Western music to some ancient forms of non-Western music. A question or two: Jul 8 ’15 at So what exactly is the Lydian Chromatic Concept and what are some examples of this in practice? Most – if not all – music theoretical systems have chosen to ignore the inclusion rsusell this key internal element.

Russell posited that tonal gravity emanates from the first seven tones of the Lydian mode.


You’ll likely find a copy. Most students of The Concept tend to be composers, improvisers, and people interested in the analysis of already existing musical compositions.

The answers given here are designed to demystify some of the common misconceptions about the Concept while supplying information as briefly as possible. The other music will be explained as the unfortunate byproducts of primitive non-prescription drugs that dumbed and numbed everyone else.

This is because an octave is the second harmonic in the harmonic series. Since the interval of a fifth is the building block of tonal gravity, lydiaan seven-tone scale created by successive fifths establishes the most vertically unified harmonic order whereby the gravity falls down each fifth back to the singular Lydian tonic.

It explains and justifies this reasoning through the overtone series, interval vectors, and what is described as tonal gravity. It should be noted that the current book presents these specific subjects far more extensively than in previous editions. He has given seminars in cheomatic work around the world and has personally guided countless private students. Russell builds a prototype chromatic scale starting on the Lydian Tonic by stacking fifths, skipping the interval between the seventh and eighth tones.

As the player ventures further from the Lydian tonic however and further up the circle of fifthsthe tonal gravity shifts. These ideas are critical to understanding the significance of this theory, and are too involved and elaborate to post on this website. What is the primary difference between the Lydian Chromatic Concept and all other theories of music?